I feel comfortable in an intermediate space between technical production (without having a strictly engineering mindset) and artistic “curation” (without being overly tied to purely artistic fields). I only take on productions where both parties feel comfortable, usually those that are authentic and genuine, avoiding anything contrived.
Collaborative sessions where one side shares its talent, and the other captures its defining essence to make it sound unique. My goal is to find beauty in what makes us singular, with no comparisons or references as an expectation. I don’t use templates or repeat processes—I approach each recording as a handcrafted piece from scratch, with the dream that the result will be unique and unrepeatable. I believe that nowadays it is very easy to sound technically good and standard—and that’s exactly what I try to avoid.
I work between the digital and the analog worlds with a hybrid TAPE-HARD DISK recording system. I like using out-of-the-box (OTB) elements to explore sonic textures and in-the-box (ITB) features for technical aspects (editing, tuning, dynamics processing, etc.). I also use studio elements randomly, allowing for serendipitous results or sonic accidents, giving them weight in the final outcome if they turn out to be appealing.
